A vehicle turns up. A giant phone appears. It burns. Someone talks. Music takes over. Then it's gone.
Five times. Five places.
A young frontman with a mic who can make people laugh and then go quiet. Quick. Funny edge. No lectures.
High-vis, clipboard energy, deadpan. They "police" phone-use as a joke, but the point lands. A playful presence.
Practical. Fast. In and out. Just enough to keep it safe and keep it moving. Efficient and discreet.
The vehicle isn't just transport. It's the first signal that something is happening.
Two options:
Old, battered, loud in its presence. Feels like it has history.
Big enough for the sculpture and kit. Wrapped with simple "on fire" graphics — not polished branding, more like a warning sign.
Either way: when it arrives, it looks like trouble has pulled up. People notice before anything starts.
The places matter because they change the meaning.
Blackheath or similar
Each stop adds a new angle. By the last one, it isn't "a one-off." It's something that has been travelling.
This unexpected element is key, and it helps the story spread. You get:
Like KLF's famous stunts: a clear message, a simple action, and big impact for low cost.
This is a cheap way to get a lot of attention for our min initiatives.
people want the real event, not just the clip
real public reaction, not marketing
partners, venues, funders, collaborators take it seriously once it has heat
Then we move into the larger OFFLINE programme: bigger events, longer experiences, and the wider initiatives we've been building toward. Tour first. Then OFFLINE proper.